āĻŦāĻžāĻāϞāĻž āĻāĻžāϰā§āύāĻžāϞ āĻāϰā§āĻāĻžāĻāĻ
Issue 220416170657 · Published April 2022
Issue Details
- Issue
- 220416170657
- Publication Year
- 2018
- ISSN
- 1488-0792
- Digital Access
- ā§ŗ200 / $2.00
- Print Edition
- ā§ŗ300
- Print + Digital
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āĻĒā§āϰāĻā§āĻāĻĻ āĻĒāϰāĻŋāĻāĻŋāϤāĻŋ / About Cover Art
āĻŽā§āύā§āϰ āĻļāĻŋāϞā§āĻĒāĻāϰā§āĻŽā§āϰ āĻāϝāĻŧā§āĻāĻ-āĻĒā§āϰāĻĻāϰā§āĻļāĻ āĻļāĻŋāϞā§āĻĒā§ āĻāϝāĻŧāĻžāĻāĻŋāϞā§āϰ āϰāĻšāĻŽāĻžāύā§āϰ āĻāĻžāώāĻžāϝāĻŧ: āĻŽā§āύā§āϰ āĻĒā§āϰāĻžāϤāĻŋāώā§āĻ āĻžāύāĻŋāĻ āĻļāĻŋāϞā§āĻĒāĻļāĻŋāĻā§āώāĻžāϰ āĻ āĻāĻŋāĻā§āĻāϤāĻž āύā§āĻāĨ¤ āĻļāĻŋāϞā§āĻĒā§āϰ āĻāϤāĻŋāĻšāĻžāϏ, āĻŦāĻžāĻāĻžāϰ, āĻā§āϝāĻžāϞāĻžāϰāĻŋ, āĻĒā§āϰāĻĻāϰā§āĻļāύā§, āϏāĻŽāĻžāϞā§āĻāĻ āĻāϏāĻŦāĻ āϤāĻŋāύāĻŋ āĻŦā§āĻā§āύ āύāĻžāĨ¤ āϤāĻŦā§ āϤāĻžāĻāϰ āĻā§āĻ āĻāĻā§, āĻāĻā§ āĻ āύā§āĻā§āϤāĻŋ, āĻŦā§āϧ, āĻŦā§āĻĻā§āϧāĻŋ āĻāĻŦāĻ āĻāĻŋāϤā§āϰ āϤā§āϰāĻŋāϰ āϤāĻžāĻĄāĻŧāύāĻžāĨ¤ āĻļāĻā§āĻāĻžāĻšā§āύāĻāĻžāĻŦā§ āĻĒā§āϰāĻāϞāĻŋāϤ āĻŦā§āϝāĻžāĻāϰāĻŖ āύāĻž āĻā§āύ⧠āĻŦāĻž āĻŽā§āύ⧠āĻā§āϝāĻžāύāĻāĻžāϏā§, āĻāĻžāĻāĻā§ āĻŽā§āύ āϝ⧠āĻĻā§āĻļā§āϝāĻĒāĻ āϤā§āϰāĻŋ āĻāϰā§āύ āϤāĻž āϏāϰāϞāϤāĻžāϝāĻŧ, āϏā§āĻĒāώā§āĻāϤāĻžāϝāĻŧ āĻ āĻŦāϞāĻŋāώā§āĻ āϤāĻžāϝāĻŧ āĻ āύāύā§āϝāĨ¤ āĻŦāĻŋāĻŽā§āϰā§āϤ āϧāĻžāĻāĻā§āϰ āĻāϏāĻŦ āĻāĻŦāĻŋ āϝā§āύ āĻāĻā§āĻāĻŋāϤāĻŽāϝāĻŧ āϏāĻžāĻāĻā§āϤāĻŋāĻ āĻāĻžāώāĻžāϝāĻŧ āĻāĻĨāĻž āĻŦāϞā§āĨ¤
āϏāĻŽā§āĻĒāĻžāĻĻāĻā§āϝāĻŧ / Editorial
āϏāĻŽā§āĻĒāĻžāĻĻāĻā§āϝāĻŧ
Editorial
English Version Excerpt
articles
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āĻāĻŽāĻžāϰ āĻā§āĻā§ āĻāϞ āϤā§āϰāĻŋ āĻšāϝāĻŧ āύāĻž āϏāĻŦ āĻāĻŦāĻŋāϰāĻ āĻāĻāĻāĻž āĻĒā§āϰāϏā§āĻĨāĻžāύāĻŦāĻŋāύā§āĻĻā§ āĻĨāĻžāĻā§āĨ¤ āĻāĻžāĻāϧā§āϰ āĻā§āϞāĻžāϝāĻŧ āĻĢā§āĻā§ āϝāĻžāĻāϝāĻŧāĻž āĻā§āϰā§āύā§āĻĄā§ āĻāĻŋāύā§āύāĻāĻŋāύā§āύ āϏāϤā§āϤāϰ āĻĻāĻļāĻā§āϰ āϏā§āĻ āύāĻāĻļāĻžāϞ āϝā§āĻŦāĻā§āϰ āϞāĻžāĻļāĻ āĻāĻŦāĻŋ āϏā§āĻŦā§āϧ āϏāϰāĻāĻžāϰā§āϰ āĻĒā§āϰāϏā§āĻĨāĻžāύāĻŦāĻŋāύā§āĻĻā§āĨ¤
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āĻāĻŋāĻā§ āĻŦā§āϰāĻžāĻā§āĻāύāĻž : āĻāĻžāύāĻžāϰ āĻ āύā§āϤāϰāĻžāϞ⧠By āĻāĻŽāĻŋāύāĻž āĻāĻžāϤā§āύPremium
āĻāĻ āĻĨā§āĻ⧠⧍⧍ā§Ģ āĻŦāĻāϰā§āϰāĻ āĻŦā§āĻļāĻŋ āϏāĻŽāϝāĻŧ āĻāĻā§ āĻŽāĻžāϤā§āϰ āĻâāϏāĻĒā§āϤāĻžāĻšā§ āĻŦāϤā§āϰāĻŋāĻļ āĻŦāĻāϰā§āϰ āĻāĻ āϤāϰā§āĻŖā§ āĻāĻ āĻŦāĻŋāĻĒā§āϞāĻŦāĻžāϤā§āĻŽāĻ āĻā§āϰāύā§āĻĨ āϰāĻāύāĻž āĻāϰ⧠āϏāĻŽāĻā§āϰ āĻĒā§āĻĨāĻŋāĻŦā§āĻā§ āĻāĻžāĻāĻĒāĻŋāϝāĻŧā§ āĻĻāĻŋāϝāĻŧā§āĻāĻŋāϞā§āύāĨ¤ āϤā§āϰāĻāĻŋ āĻĒāϰāĻŋāĻā§āĻā§āĻĻā§ āϞā§āĻāĻž āĻāĻ āĻā§āϰāύā§āĻĨāĻāĻŋāϰ āύāĻžāĻŽ Vindication of the Rights of Women : With Strictures on Political and Moral Subjects , āĻāϰ āϞā§āĻāĻŋāĻāĻž āĻšāϞā§āύ āĻŽā§āϰāĻŋ āĻāϞāϏā§āĻā§āύāĻā§āϰāĻžāĻĢāĻ (Mary Wollstonecraft) āĻāĻŦāĻ āĻā§āϰāύā§āĻĨāĻāĻŋ āĻĒā§āϰāĻāĻžāĻļ āĻĒāĻžāϝāĻŧ ā§§ā§ā§¯ā§¨ āϏāĻžāϞā§āĨ¤
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āĻ āĻāĻĨāĻž āϤ⧠āĻ āϏā§āĻŦā§āĻāĻžāϰ āĻāϰāĻŦāĻžāϰ āĻāĻĒāĻžāϝāĻŧ āύā§āĻ āϝ⧠āĻāĻāĻā§āϰ āϏāĻŽāϝāĻŧā§ āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύāĻ āĻā§āĻā§ āĻšāϝāĻŧā§ āĻāϏāĻā§ āĻĒā§āĻĨāĻŋāĻŦā§āĨ¤ āĻŦāĻŋāĻļā§āώ āĻāϰ⧠āϏāĻŽāϝāĻŧā§āϰ āĻŦāĻŋāĻŦā§āĻāύāĻžāϝāĻŧ āĻ āĻĒā§āϰāĻŦāĻŖāϤāĻž āĻŦāĻŋāĻāϤ āĻāĻāĻļ āĻŦāĻāϰ⧠āĻ āĻā§āϤāĻĒā§āϰā§āĻŦâāϏā§āĻāĻŋ āϤāĻĨā§āϝā§āϰ āĻāĻĻāĻžāύāĻĒā§āϰāĻĻāĻžāύ, āϝāĻžāϤāĻžāϝāĻŧāĻžāϤ āĻĨā§āĻā§ āĻļā§āϰ⧠āĻāϰ⧠āĻĒāĻŖā§āϝ, āĻĒā§āĻļāĻž, āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧ, āĻĒāϰā§āϝāĻāύ, āĻŦāĻŋāύāĻŋāϝāĻŧā§āĻ, āĻāĻžāĻĻā§āϝ āϏāĻāϏā§āĻā§āϤāĻŋāĻāϰā§āĻāĻž āĻĨā§āĻā§ āĻā§āĻŦāύā§āϰ āĻĒā§āϰāĻžāϤā§āϝāĻšāĻŋāĻāϤāĻž āĻĒāϰā§āϝāύā§āϤ āĻŦāĻŋāϏā§āϤā§āϤāĨ¤
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āϰāĻžāώā§āĻā§āϰāĻāĻžāώāĻž āĻŦāĻžāĻāϞāĻž āĻāĻžāĻāĨ¤ āĻŦāĻžāĻāĻžāϞāĻŋ āϰāĻžāώā§āĻā§āϰ āĻĒā§āϝāĻŧā§āĻā§, āĻāĻŋāύā§āϤ⧠āϰāĻžāώā§āĻā§āϰāĻāĻžāώāĻž āĻāĻŋ āĻĒā§āϝāĻŧā§āĻā§? āĻŦāĻžāĻāϞāĻž āĻŦāĻžāĻāϞāĻžāĻĻā§āĻļā§āϰ āĻĄāĻŋ āĻā§āϰ⧠(De Juro) āϰāĻžāώā§āĻā§āϰāĻāĻžāώāĻž āĻŦāĻā§, āĻāĻŋāύā§āϤ⧠āĻĄāĻŋ āĻĢā§āϝāĻžāĻā§āĻā§ (De facto) āϰāĻžāώā§āĻā§āϰāĻāĻžāώāĻž āύāϝāĻŧ, āĻ āϰā§āĻĨāĻžā§ āĻŦāĻžāĻāϞāĻžāĻā§ āϰāĻžāώā§āĻā§āϰā§āϰ āĻĒāĻā§āĻāϰāϤā§āύ: āĻļāĻžāϏāύāĻŦāĻŋāĻāĻžāĻ, āĻŦāĻŋāĻāĻžāϰāĻŦāĻŋāĻāĻžāĻ, āĻĻā§āĻļāϰāĻā§āώāĻž, āĻŦā§āϝāĻŦāϏāĻžāϝāĻŧ āĻ āĻļāĻŋāĻā§āώāĻžāϝāĻŧ āĻŦā§āϝāĻŦāĻšā§āϤ āĻāĻāĻŽāĻžāϤā§āϰ āĻāĻžāώāĻž āĻšāĻŋāϏā§āĻŦā§ āĻĒā§āϰāϤāĻŋāώā§āĻ āĻŋāϤ āĻāϰāĻž āϏāĻŽā§āĻāĻŦ āĻšāϝāĻŧāύāĻŋāĨ¤
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poems
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fictions
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[Yes, for Tapasi Mallick, institutionally murdered at the behest of debased power mired in political absolutism, power junkies, their geriatric bones creak yet they carry on like dogs in heat âĻ] She was a young girl, just eighteen or nineteen years old, it was dawn, and while it was still dark â perhaps it was this moment that was referred to as brahmamuhurta in the Upanishads â she had gone to the fields just like she did everyday, before the civilized world woke up.
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Can Sculptures Speak? Understanding Dhakaâs Public Art and Its Effect on Collective Memory in Bangla By Sarah Nafisa ShahidPremium
âMemory takes root in the concrete, in spaces, gestures, images, and objects; history binds itself strictly to temporal continuities, to progressions and to relations between things.â â Pierre Nora, Between History and Memory: Les Lieux de MÊmoire In May of 2017, the statue of a saree-clad, blind-folded, Lady Justice was pulled down from the Supreme Court premises and moved to an annex building due to pressure from far-right religious group, Hefazat-e-Islam.
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âMen never do evil so completely and cheerfully as when  they do it from religious convictionâôôôÊBlaise Pascal  (1623-62)  âTo tolerate propaganda for inhumanity vitiates the goals  not only of liberalism but every progressive political  philosophy.âôôôÊHerbert Marcuse: Repressive Tolerance (1965) Religion-based politics has a long tradition in Bangali history ôôôÊfrom the late nineteenth century during British rule, when political agitations organized by the educated gentry fragmented the Bangali community along lines of religious identity, leading to a Hindu-Muslim divide.
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For the past 20 years, globalization and new media have been influential in shaping the religious landscape of South Asia. The Shia imagination, even in the remotest villages of Bengal, was first fired by the era of analog technology via cassettes and then caught in the web of digital media.
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The Great Bengal Famine of 1943:Dominance of Communal Politics over Hunger, Destitution and Relief W By Partha PramanikPremium
Bengal after the devastation of 1942âs flood in Midnapore and 24 Parganas, subsequently followed by the Great Bengal Famine of 1943, got transformed into a land of sorrow and despair. Famine was not an unknown incident to the people of Bengal.
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Mawlana Bhasaniâs political life is characterized by a paradox. His frequent invocation of Islam and his involvement with pro-Maoist radical peasant and student movements stood in contrasts to each other. This paradox, I argue, reflects Bhasaniâs endeavour to reinvent peasant communitarian consciousness in relation to their marginality in global capitalist property regime.
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Why dig it all up? My twin sister, Lila, who had to stay in the then East Bengal, died a couple of days ago, on the 29th of October, 2018. I couldnât go and stand by her death-bed, nor be a witness her cremation. She was a Bangladeshi citizen, and I was an Indian.
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